What would you do if you were sitting in a formal concert hall, dressed for a night of highly educated performances by acclaimed composers, and you began hearing a cricket, very clearly, and no-one seemed particularly perturbed, and it began to develop harmonically and chronologically, transforming into something quite beyond the normal sound of a single cricket, developing rhuythmically and musically until it swims through your awareness like a goldfish? Or a horse-sized cricket.
Losing your mind? Acid flashback? Another dream like those you’ve been having while driving (I’ll just get out here, if you don’t mind . . .)?
Or, Hildegard Westerkamp’s famous “Cricket Voice” (1987), intended to draw your awareness to the subtleties of sound and silence which most urban dwellers … Continue Reading >Soundwalking With Hildegard Part 1: The depth of Acoustic Ecology