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When MUSICAlive! first learns about Murray Kinsley’s guitars for the blues-rock mix of Wicked Grin’s latest album, it’s pretty encouraging!
“I use a Fender Telecaster modified Thinline (and) I call it the ‘Frenken-Tele’ that’s the modified part); I have a 61 Strat that I used on it, and a
When MUSICAlive! and musician Bebe Buckskin begin their interview, they start at the very beginning.
“I basically came out of the womb singing,” Bebe says, leading them both into laughter. “My poor mother!”
The question that prompted this was, “Why are you doing this stuff?” When the laughter dies down, Bebe elaborates.
Steven Taetz is wandering through the streets of Toronto while we talk, going from one place to another as songwriters are inclined to do anyway: moving from one inspirational situation to another to meet the needs of their musical craft. In Steven’s case, having done time in the electronic dance and country/roots genres, we ask him what he would call the music he’s bringing to
When Harpdog Brown answers his phone in Vancouver, a month before he arrives on tour here at Calgary’s Ironwood Stage and Grill, he declares, “You’re a minute early!” And then laughs when I offer to call back 60 seconds later. So begins the storied conversation with this 35 year veteran of Canada’s blues scene.
Some accidents are not only happy, they are positively confounding. Witness MUSICAlive! popping down to a Stampede breakfast to Hear a Calgary country favourite of ours, Tim Buckley, play on the mall, and meeting the similarly talented Mariel Buckley (his sister), also singing and playing some sweet alt-country guitar. And then, when visiting the Calgary
Well, now we know why Damon Johnston of the ProArts Society resonates so much with the work MUSICAlive! does: he’s been involved in many of the projects that have helped form the Calgary arts scene in the last 30 years. He’s part of our musical DNA, from Decidedly Jazz Danceworks, Dancers’ Studio West, the seminal 10 Foot Henry’s nightclub (from which today’s
In their efforts to expand the diversity and reach of the piano competition performances, the Honens stretched it’s possibilities in 2012 with Bison Noir (a nod to New York’s cool, adventurous Le Poisson Rouge). Here’s what Honens says:
“I am the Artistic Co-director of the Sound Symposium. I’m also the host: I will be hosting most, if not all, of the evening concerts, and some of the earlier concerts; I may be introducing some of the workshops; I will be performing with 2 bands that I play with. And I might even be singing with my improv choir: I direct an improv choir, and there’s discussion underway now to have the improv choir involved in Improv Night, which is a night where artists and members of the general public (if they wish) can get up on stage and improvise.”
Attending an “80’s and 90’s” dance party on Saturday was an interesting experience: while the music was definitely from the correct era, the DJ had clearly NOT been in dance clubs at that time, as the late 20th Century music had been mixed with an early 21st Century sensibility. Beat-mixing 80’s hits like Michael jackson, Amii Stewart or the Pointer Sisters together without the songs’ opening or closing sequences never occurred in 1980’s
Sarah Nematallah is a violinist in the Cecilia String Quartet, and she and her ensemble are also the founders of Xenia Concerts Inc., for which she is the executive and artistic director. Her performance experience is not limited to the expected carpeted venues, that’s for sure:
“Throughout my career as a violinist, I’ve had the opportunity of performing in incredible concert halls all over the world: in Berlin, in A
“A ‘palimpsest’ is a manuscript in which traces of the original can be found, and through performance, I rewrite my emotional scripts.” – FOONYAP
In a normal precursor to the interview, MUSICAlive! asks Calgary-born alternative musician FOONYAP to tell us what instruments she played on her debut
When MUSICAlive! asks David Skidmore of the Third Coast Percussion Ensemble what instruments he’ll be playing when they premiere their “Paddle to the Sea” performance in Calgary (8:00 pm, April 8 at the Rozsa Centre), he goes on, and on, and on . . . listing 16 different instruments!
‘Flamenco Calgary Presents: Flamenco Tablao, an intimate Flamenco performance of song, music and dance bringing together Salero Caló’s original members. Back from Seville for the Christmas holidays, Annette Morcos (La Mora), founder of Salero Caló, will be joining them on stage for the first time since 2014. The group will also be joined by Silvia Te on song.’
This story is all about creating and supporting your community, musical or whatever it may be.
Jared Clark, founder and enthusiast of the Fireside Music monthly events, held in this city, tells us:
“My Dad started folk clubs in the cities where we lived: being a musician himself, he just wanted to create community around music . . . the most recent one (being) The Inglewood Music Club. So, growing up I was around music a
by Carey Rutherford What an amazing day of festivular expansion. There’s no way to really describe the occurrences without just chronicling them: not that amazing, really, unless you’re paying attention. The AfrikaDey! World Music Festival is just down there, just… Continue Reading →
by Carey Rutherford Jimmy Page would be proud. For those who may have forgotten, he was not simply the heroin-addled Cromwell-obsessed lead guitarist of the ’70’s rock ‘n roll gods, Led Zeppelin; he was also their creative leader, their producer,… Continue Reading →
by Carey Rutherford Danielle Duval is on tour with her second professional release with her friends and her acoustic guitar. You’ve got to hear it. “This is my first album,” she tells us, as her first release was an EP…. Continue Reading →
by Carey Rutherford Most of the readers who look at MUSICAlive! on a regular basis are unlikely to know who Andrew Raeburn was, or why he should merit the headline of this space. But anyone who was in contact with… Continue Reading →