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MUSICAlive caught up with the Calgary Philharmonic Orchestra’s newest Associate Conductor, Karl Hirzer. After some back and forth, the conversation started with the absolute basics.
“What is your job as a conductor?” we ask.
In their efforts to expand the diversity and reach of the piano competition performances, the Honens stretched it’s possibilities in 2012 with Bison Noir (a nod to New York’s cool, adventurous Le Poisson Rouge). Here’s what Honens says:
Sarah Nematallah is a violinist in the Cecilia String Quartet, and she and her ensemble are also the founders of Xenia Concerts Inc., for which she is the executive and artistic director. Her performance experience is not limited to the expected carpeted venues, that’s for sure:
“Throughout my career as a violinist, I’ve had the opportunity of performing in incredible concert halls all over the world: in Berlin, in A
Vincent Ho is an Ottawa-born classical composer who currently teaches at the University of Calgary and, incidentally, has works being performed and premiered ALL OVER the place, in a happy demonstration of how it’s Good to be Busy. While having lunch at The Palomino, at the heart of Calgary’s downtown, MUSICAlive! congratulated him on this achievement.
“True North Canada 150th Celebration World Premiere” is a title evocative enough to slow most interested Canadian listeners for at least a moment or two, and the additionally interesting bit is “The CPO offers a fully immersive, digital concert experience for audiences around the world.”
by Carey Rutherford May was Asian Heritage Month in Canada, did you know that? Well, you missed it! Unless you actually took in one of the events they organized around the city through the Asian Heritage Foundation, who describe themselves… Continue Reading →
by Carey Rutherford Erin Thrall, strangely, is a vocalist with a non-singing organization. This is not so unusual, though, as she explains that “My role is the Director of Education & Outreach for the Instrumental Society of Calgary. When I… Continue Reading →
by Carey Rutherford Your faithful Writer can’t help but ask, right off the start, if orchestras, or other musicians the Turtle Island Quartet encounter, harbour a strong dislike for the freedom which the TIQ exhibit in their choices of music… Continue Reading →
by Carey Rutherford Most of the readers who look at MUSICAlive! on a regular basis are unlikely to know who Andrew Raeburn was, or why he should merit the headline of this space. But anyone who was in contact with… Continue Reading →